Double Denim

Happy New Year!  I can’t believe I’m back at work and Christmas is all over and done with.  I’ve already written about the lovely #stitchingsanta gifts I received and on the sewing front I was also lucky enough to be given :

  • A one day overlocker course at The Fabric Godmother – I know this is the only way I am ever going to make the best use of mine.
  • A walking foot for my sewing machine.
  • A bumper box of assorted pins from Merchant & Mills
  • Lotte Jansdotter’s book, Everyday Style, which I’d heard about from Su over at butterflies and lemon drops.  The book comes with a set of paper patterns and the Esme dress will almost certainly be the first one I try.
  • A post-Christmas present from Gill over at vintagerockchick who sent me a lovely handmade zipped bag, needle case and brooch as a thank you for winning my book giveaway!

book

I’ve done almost no sewing over the Christmas break apart from a less than successful top from some rather extravagant silk jersey which I will gloss over for the time being.

Two rather more successful makes were completed in the nick of time to wear on Christmas Day and Boxing Day.  I was hemming both of them on Christmas morning!

First up is a third version of the Colette Laurel Dress in a lovely purple stretch denim which I bought from Ditto Fabrics when the Sew Bees visited Brighton on their inaugural meet up.  I washed the fabric twice before I used it (as advised) but I don’t think there was any shrinkage – although the colour does run.  This is quite a ‘springy’ and dense fabric and I found it slightly tricky to get a good finish on the points of the darts.  I unpicked one of the bust darts several times before I decided enough was enough!  The fabric didn’t like being unpicked and I ended up with a couple of white marks on the surface.  In the spirit of Karen’s recent post I am not going to Ablogogise about any shortcomings in my handmade clothes, at least during January, but she does say that it is OK to

share less than glowing details if they will help a reader with a construction, pattern or salutary lesson

I know at least two other people who read this blog bought the same fabric it was acceptable to mention that unpicking is better avoided or at least undertaken with more caution than I exercised!  Thankfully the minor problem was largely resolved when I washed the finished dress because the colour was still running slightly which helped blend in the tiny white marks.

I hadn’t planned to add the cuffs to this version but rather to cut the sleeves slightly longer as I’m not that keen on where the length sits on my arm.  Unfortunately I forgot all about this at the cutting out stage so then had to go with the cuffs.  I did find it quite difficult to pull the gathering threads in the sleeve head and the cuff.  I think they may have become emeshed in whatever provides the stretch in the fabric?  The result was rather uneven gathering on the cuffs but I decided against making a second attempt – I was running out of time and they are perfectly acceptable.

Despite these two issues I really love the fabric and it is a fabulous colour which is hard to appreciate from my photo of the finished dress.  Here it is before it was made up.

image

In the end I think the cuffs add a dressier look which was just right for Christmas Day.  This is a REALLY comfortable dress to wear and the fabric feels lovely on, very soft and flexible, and it doesn’t crease.  I could have got away with a smaller size (which I did for my silk party version) but I wanted something suitable for lounging around in (and eating!).  I’ve already worn it three times so this Laurel is definitely a winner.

image

The Boxing Day outfit was a second Brumby Skirt made from a mustard denim purchased at The Fabric Godmother’s open day.  I made the first one for Karen’s Made Up Initiative and whilst I loved the shape the fabric I used was just a bit too stiff and I felt like I was wearing a cardboard skirt!

I started the latest version some while ago but due to another cutting out error it had been abandoned until I could face putting it right.  I failed to decipher the notes I had made on my traced out pattern to remind me that I needed to extend the waistband slightly whilst keeping the rest of the skirt the original size – which is what I’d done the first time round!

Before discovering this I had come up with two pretty good (but almost certainly not original) ideas.

  • I’m not great at topstitching and this skirt has two lines of it right down the front.  I used two strips of masking tape to mark the stitching line and off I went, ending up with two pretty perfect lines of topstitching.
  • If you are using denim or other thicker fabric the pattern instructions recommend using fine cord which you zig zag to the fabric and then pull to create the gathers at the waistline.  This worked well with my previous Brumby but I discovered I had no cord to hand.  You need something fairly strong which will not snap so I decided to try dental floss!  It worked a treat and made it really easy to pull the gathers along.

These are not great photos but they give the general idea.  You can see that my presser foot is still stained pink from its recent encounter with some boiled wool!

The waistband went on beautifully the first time round, I pulled out the dental floss (which came out much more easily than cord) and I went to pin the skirt on Doris to see how it was shaping up.  I thought she’d put on weight but it was at this point I realised I’d cut the waistband too short.  Things went a bit downhill after this.  Unpicking, trimming, re-gathering, re-attaching the waistband, taking it off again because it didn’t look right, sewing it on again.  I think all this comes under the salutary lesson referred to above and I would also add that I will use a more substantial interfacing in the waistband if I make this skirt again because it doesn’t stand up well to a day’s wear – unlike the cardboard version which remains completely rigid regardless!

What I love most about this skirt is the pockets which are just fabulous!  I think it is essential to follow the suggestion to stitch a short way along the pocket edge by the seam to reinforce it, especially if you have a tendency to shove your hands in pockets like I do.

Here’s the finished article and it is another really comfortable wear with plenty of room for festive eating.  This photo is actually from the second wearing for a trip to London on Saturday.

image

I think it goes very nicely with my fox brooch from Tatty Devine.  The top I’m wearing with the Brumby is this one on which I spent hours getting the curved hem band right and then never wore because it was too long and didn’t really work for me.  I took the bull by the horns, chopped off all that hard work, re-hemmed it (without the band) and now it is just right.

image

I read recently about a blogger’s husband who spends up to 40 minutes taking lovely photographs for her.  Ha! This doesn’t happen chez JaneMakes I’m afraid which is why my photographs are taken in front of the mirror with my phone!  I definitely need to up my game somewhat and to that end I’ve ordered a tripod and remote control thingy to experiment with.

Apart from this I’ve not really made any specific sewing resolutions or plans as I’m not that good at sticking to them and once you’ve gone into print there is more of an expectation to achieve!  However, I am determined to continue with limiting/avoiding the purchase of new RTW clothing and, as a result of the cutting out errors documented above, I am going to try and take a more focused approach to my projects!  To assist with this I have a late Christmas present heading my way, the Maker’s Workbook from The Swedish Tracing Paper Shop.

Workbook

I’ve just bought the Grainline Moss Skirt pattern and the new Colette Phoebe from Guthrie & Ghani so hopefully one or both of these will be appearing here soon.  The fly zip insertion in the Moss will be a first for me so I hope I can master that!